It all began at the age of six with a Texas Instruments Ti-99/4a. Like everyone else, I was captivated by the dawn of video games, but for me, the real magic happened through the external speech synthesizer hardware. Hearing a computer "speak" in the late 80s was more than just a technical feat; it was a promise. It was my first encounter with the electric soul of what we now call Artificial Intelligence that moment I realized that this wasn't just a lifeless box, but a machine with the potential to communicate and "think."

Driven by this wonder, by the age of 10 to 12, I was already deconstructing how the machine actually "thought." At an age when most were just mastering the basics of language, I was discovering the Binary System and the fundamental logic of programming. This early immersion into the raw architecture of hardware and software gave me a "low-level" understanding of computing that remains my greatest asset today. I don't just use computers; I speak their language.

On the Amiga, I first encountered the world of 3D/VFX through NewTek Lightwave and Video Toaster. Captivated by the cinematic VFX of the 90s, digital creation became my only path. Although I studied Electronics (specializing in Television technology), I quickly realized that the future wasn't in repairing hardware, it was in creating content.

My evolution has been a relentless fusion of high-tech tools and classical artistic discipline:

• Studies in Graphic Design, Directing, and 3D Animation.
• Mastering legendary platforms like Softimage|3D and Alias Wavefront, back when rendering required days of patience.

• Beyond the screen, I have always been a student of the traditional arts. My passion for Sculpting, Miniature Painting, and Diorama Construction which I still practice today refined my understanding of volume, texture, and light in the physical world.

• My deep roots in Speculative Fiction and Music Composition (Synths) define how I perceive rhythm, timing, and atmosphere in every visual project.

• Technology demands a clear mind. My 30-year trajectory is inextricably linked to the study of Traditional Japanese Martial Arts (since age 5) and my service as a Sergeant in the Armored Corps (graduating 2nd from the NCO School - ILYV). These experiences forged a professional who knows how to lead through complexity, take responsibility, and make critical decisions under extreme pressure.

• Since 2010, the shift toward a holistic digital presence naturally led me to integrate Web Design & Development into my workflow. But for me, code was never just about structure it was another layer of world-building. I realized that my secret weapon wasn't just my technical stack, but my ability to weave Atmospheric Storytelling into every digital environment.

  Whether designing a high-end interface or a complex architectural visualization, my focus remains on the narrative flow. Today, I bridge decades of CGI expertise with the most advanced real-time tools like Unreal Engine 5, Blender, and beyond. I don't just build assets, I create immersive digital experiences where cinematic imagination meets flawless execution.

The same hands run every stage of the work: architectural visualization and archviz pipelines, real-time environments in Unreal Engine 5, functional digital twins for technical review, and AI storytelling for product and narrative film. Built far from the studio system, in the Greek countryside. Projects worldwide, on site when the work calls for it. The full range of services and how they fit together is on the main page.